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Recently completing his Bachelor of Fine Arts Honours (First Class Honours), he is currently using the processes of generational trade and working materials to investigate discomfort, isolation and the stress of childhood. Maskell has taken part in exhibitions at George Paton Gallery, COMA Gallery, Discordia and participated in a number of DIY collective projects. 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Aside from the percentage of absolute bollocks that I was inattentive to, I landed on Peter Weir’s 1974 film, The Cars that Ate Paris, and was instantly reminded of our family farm in Queensland. It reminds me of the peach farmer on our neighbouring property, John. The prick smells like motor oil and has seven of his former Kelpies buried up his driveway, each grave marked with the name Rusty I-VII. The film sees the rural Australian town of Paris, whose inhabitants cause the fatal road accidents of outsiders before picking apart and bartering over the wreckages like maggots on a carcass in front of a quaint country backdrop. Paris offers reminders of lath and plaster walls, rusting metal, small town attitudes and absurdities that I really loved about our property. I want to make work about that memory. The movie inspires a response to a secular world of co-dependency between man, machine, and what is a deteriorating national identity, through the fetishisation of big rigs orgiastic violence, and proletariat attitudes."}],"markDefs":[],"style":"normal"},{"_key":"40b8beaab10a","_type":"block","children":[{"_key":"07be14c45220","_type":"span","marks":[],"text":""}],"markDefs":[],"style":"normal"},{"_key":"46c88dd42845","_type":"bigButton","file":{"_type":"file","asset":{"_id":"file-de835d53f7486f3e75132b93263bf90b8f06bddf-pdf","_type":"sanity.fileAsset","_rev":"J6hHjj2tq26wCz6EhelCsL","_createdAt":"2023-04-25T03:41:57Z","_updatedAt":"2023-04-25T03:41:57Z","assetId":"de835d53f7486f3e75132b93263bf90b8f06bddf","extension":"pdf","mimeType":"application/pdf","originalFilename":"Jah Maskell_Paris Will Survive_Room Sheet-List Works_2023.pdf","path":"files/4sy91mpf/production/de835d53f7486f3e75132b93263bf90b8f06bddf.pdf","sha1hash":"de835d53f7486f3e75132b93263bf90b8f06bddf","size":220238,"uploadId":"fjuJ0BO35q99lyJMN0GBZsjHCGaIr5rw","url":"https://cdn.sanity.io/files/4sy91mpf/production/de835d53f7486f3e75132b93263bf90b8f06bddf.pdf","id":"file-de835d53f7486f3e75132b93263bf90b8f06bddf-pdf","children":[],"internal":{"type":"SanityFileAsset","contentDigest":"8b50a5afb2113c2ea01fc9cf6a99fc15","owner":"gatsby-source-sanity","counter":2266},"parent":null}},"text":"LIST WORK","type":"file"}],"images":[{"asset":{"altText":null,"description":"Jah Maskell, Elevator, Steel Sheet 1 and Chair, 2021. 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