Overview, Images

Subtitled Publication Launch

Stephanie Ee, Jessica Tu, Hamy Do, Emily Dang, Su Yang

23 Aug 2018

Subtitled aims to communicate what it means to be young and Asian in Australia by bringing together artists and writers to convey experiences of cultural identity, diaspora, migration and displacement.

This edition responds to critical theorist Homi K. Bhabha's idea of the 'Third Space' that suggests community and identity are formed as a constant negotiation and reformation between points of difference. The 'Third Space' is a point of hybridity and collision that facilitates the formation of ‘something new and unrecognizable’ from which new identities and meaning can arise. It is from this state of flux, that young Asian Australian artists create.

'Growing up, I often watched Asian movies that my parents purchased with English subtitles that were often inaccurate and only somewhat helpful. Though subtitles open the doors to an unfamiliar language, they are often misleading, feel awkward and not quite right.'

Subtitled captures this loss of meaning and shifts it to centre stage to offer a platform for artists of the Asian Australian diaspora to tell their own narratives without the imperative to explain or translate.

Onsite, Publication
Overview

Blindside was pleased to launch the first edition of Subtitled – a publication curated by Gallery Intern, Monica Do, on 23 August 2018.

Publication Launch: 23 Aug 2018, 8am–10am

This program takes place on the land of the Wurundjeri people of the Kulin Nation. We recognise that sovereignty was never ceded - this land is stolen land. We pay respects to Wurundjeri Elders, past, present and emerging, to the Elders from other communities and to any other Aboriginal or Torres Strait Islanders who might encounter or participate in the program.

The print run was limited to 100 copies.

38 copies were specially packaged in a red envelope in the style of the red money packet that is received for New Years, and included a Feng Shui coin, used to symbolize good fortune. These were priced at $15. Every edition afterwards was priced at $10.

All proceeds went towards the production of the next edition of Subtitled.

Related

George Prefers Forks
Siying Zhou, George Prefers Forks, installation view at Blindside. Artworks from left to right: Untitled (Langi Ghiran state park), 2019; A family portrait, 2019; Untitled (a double sided flag), 2020; Re-shape My Tongue To Fit Into Cheongsams, 2020-2021. Courtesy of the artist. Photo: Nick James Archer.
Onsite, Exhibition, Publication

7–24 Apr 2021

George Prefers Forks

Siying Zhou

Presence
Presence
Onsite, Exhibition, Publication

22 Aug–8 Sep 2018

Presence

Anna Horne, Archie Barry, Isabella Hone-Saunders, Holly Bates, Lou Fourie, Zoë Bastin

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The Nicholas Building

Room 14, Level 7, 37 Swanston Street

Melbourne, Victoria, 3000

Wednesday – Saturday, 12-6pm
Closed on public holidays
(+61) 3 9650 0093
info@blindside.org.au

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Working on unceded sovereign land of the Wurundjeri and Boon Wurrung people of the Kulin Nation, Blindside pays respect to Elders, past, present and emerging.


THE ALLEN FOUNDATION

Working on unceded sovereign land of the Wurundjeri and Boon Wurrung people of the Kulin Nation, Blindside pays respect to Elders, past, present and emerging.