Drops of Matter
Daniel Stephensen
//
DROPS OF MATTER
We struggle from the port of catastrophe
Across the underside of presence,
Returning to seek affinity in the world
Like the overflowing dead
Who lay out their affairs
In the zone of pre-life memory.
We bathe curves of correspondence in visions.
We form fluidity at the same time as cohesion.
We say that all form is held between bodies,
Where drops of matter resolve and fall
Over lines and surfaces and contours,
Momentary centres of the world.
DROPS OF SOUL
Young children and the dying
Have pre-life memory,
Spontaneous and unmixed,
Set in motion by drops of soul
Folded into matter
That rub up against one another.
A succession of deepest shock
Unleashes shapes of memory curvature
That stretch into the organic world
Through small oscillations in the soul.
An animal of her exact genetic curve
Passes from one body to another.
Blessed and damned by innovation,
We place ourselves in affinities
To see the substance of possible worlds.
At her limit, what is clear consists of holes
That give her right of way to bend,
To stumble, and plunge to the obscure.
Affinity rays shadow the curvatures
Into her cavernous subtle interior.
DROPS OF FORM
We must cast a figure from us
Over the high crest of obscurity,
Though what form can be recognised?
Veil of being, ceramic wave,
Canvas both open and cloaked.
The curvature bobbing in space
Becomes a body adorned with drops of form
Capable of setting it billowing before us.
With reason but without conclusion,
Our mind drapes the form in matter
To render how it combines and participates,
The way it reaches itself from near and far,
How it transforms the obscure relationship
Into the particular figure, curved to presence,
Collapsed to the cast,
And through.
//
In its fourteenth year, DEBUT XIV profiled exciting new work by selected recent graduates from Melbourne's leading art institutes - RMIT, VCA + Monash University. The exhibition text was written by Daniel Stephensen.